Wednesday, February 19, 2014
The illustration of VAHANAS
The wait is over!
Monday, August 15, 2011
The mystery of vimanas deepens!!
The mention of airplanes is found many times throughout Vedic literature, including the following verse from the Yajur-Vedadescribing the movement of such machines:
"O royal skilled engineer, construct sea-boats, propelled on water by our experts, and airplanes, moving and flying upward, after the clouds that reside in the mid-region, that fly as the boats move on the sea, that fly high over and below the watery clouds. Be thou, thereby, prosperous in this world created by the Omnipresent God, and flier in both air and lightening. (Yajur Veda, 10.19)
The Rig Veda, the oldest document of the human race includes references to the following modes of transportation:
Jalayan - a vehicle designed to operate in air and water. (Rig Veda 6.58.3)
Kaara- Kaara- Kaara- a vehicle that operates on ground and in water. (Rig Veda 9.14.1)
Tritala- Tritala- Tritala- a vehicle consisting of three stories. (Rig Veda 3.14.1)
Trichakra Ratha - Trichakra Ratha - Trichakra Ratha - a three-wheeled vehicle designed to operate in the air. (Rig Veda 4.36.1)
Vaayu Ratha- Vaayu Ratha- Vaayu Ratha- a gas or wind-powered chariot. (Rig Veda 5.41.6)
Vidyut Ratha- Vidyut Ratha- Vidyut Ratha- a vehicle that operates on power. (Rig Veda 3.14.1).
Kathasaritsagara refers to highly talented woodworkers called Rajyadhara and Pranadhara. The former was so skilled in mechanical contrivances that he could make ocean crossing chariots. And the latter manufactured a flying chariot to carry a thousand passengers in the air. These chariots were stated to be as fast as thought itself. (source: India Through The Ages: History, Art Culture and Religion - By G. Kuppuram p. 532-533).
This post, is nothing but to build up the anticipation guys!!!
Hang on there, the best is yet to come..
Aham Bhramasmi
Friday, January 09, 2009
New entry for the NEW YEAR
I would be posting my new entry pretty soon..I took a break to compile and to do some research on another mind blowing topic which the world, by which i mean the scientific community are still clueless..
It is known as the Einheitliche Feldtheorie @ Einstein's proposed Unified theory or the modern term which is known as the String theory @ M-thoery @ quantum gravity
Explained through the HINDUISM..
Monday, June 09, 2008
BIGBANG
It says Brahman is that ultimate 'world’ which we gain access to by distilling the world down to its inmost content, or the furthest stop from where we get off by traveling backwards in time-space. Astronomical observations have confirmed more or less beyond doubt that stars, galaxies and clusters of super galaxies are receding from the earth and from one another.
HINDUISM IS SCIENCE
Deciphering the Mysteries and Wonders of STRING THEORY through HINDUISM
The real question which is the root cause for all of this discussions are why and how these two vastly different subjects, the modern sciences and the Vedas interrelated? Any deep, scientific analysis of Hinduism and Physics should be done by experts within their respective fields working together. Admittedly, I am not an expert in either field; therefore I will limit my comparison in both depth and scope. I will try to point out how, when one compares the Hindu notion of Brahman with the specific branch of Theoretical Astrophysics known as String Theory, that gross similarities appear between these two ideas due to the poetical, structural, and mystical nature of these two vastly different subjects.
Due to the intensively mathematical nature of String Theory, I will only briefly explain what it is in order to show its relevance to the comparison. String Theory is an attempt by Physicists to find a unified description of all forces in the Universe, a quest between quantum physicists and academicians in the field of relativity. String Theory "a structure that pushes the frontiers of mathematics and conceptual limitations of the human imagination to the extremes". In String Theory, the basic units in the universe are not particles (such as neutrons, protons, quarks, and other sub-atomic particles) which occupy a single point of space, but things that have a length but no other dimension, like an infinitely thin piece of string. These `Superstrings', as they are often called, may have ends or they may be joined up with themselves in closed loops. In String Theory all the particles which we have so far discovered emerge as vibrations of these Superstrings. String Theory, matter becomes nothing more than the harmonies created by these vibrating Superstrings. There are an infinite number of forms of matter that can be constructed out of the vibrating Superstrings. This explains the richness of the particles in nature. Out of this cosmic orchestra all of the matter, energy, space, and time emerges and becomes all of the things that we see around us. String Theory explains that we are in a medium with 11 Dimensions around us unlike our present understanding that we have only 4 Dimensions.
Now let us look at the Hindu corollary to this theory, which is given in the Upanishads.
"According to the Upanishads,...everything has come from the same source, called pure Being. From pure Being emerges pure space. When pure space begins to vibrate, air, the next element, comes into being. From the friction of air comes fire and fire then products water in the same way that we begin to sweat when it is hot. And when the sediment from water settles the element of earth arises"
Here it points out two similarities to String Theory, One: the vibrations of space give way to the `elements'. Two: the elements that he mentions, curiously enough, match the four different states of matter, which are plasma, gas, liquid, and solid.
Coming back to epic Mahabharatha,
Here is some of the excerpts from Bhagwat Gita in Sanskrit language followed by translation. ( Translation from Stephen Mitchell)
KRISHNA TO ARJUNA
Look Arjuna Thousands Millions of my divine forms Beings of all kinds and sizes Of every color and shape The whole Universe , all things Animate or inanimate Are gathered here-Look -enfolded Inside my infinite body
But since you are not able To see me with mortal eyes I will grant you divine sight ..look Look! The depths of my power!
ARJUNA TO KRISHNA
With innumerable mouths and eyes Faces too marvelous to stare at Dazzling ornaments, innumerable Weapons uplifted, flaming-Crowned with fire, wrapped In pure light, with celestial fragrance He stood forth as the infinite God, composed of all wonders If a thousand suns were to rise And stand in the noon sky , blazing Such brilliance would be like the fierce Brilliance of that mighty self Arjuna saw the whole universe Enfolded, with its countless billions Of life forms, gathered together In the body of the God of gods. All gods in your body And multitudes of beings, Lord, And Brahma on his lotus throne And the seers , and the shining angles I see you every where , with billions Of arms, eyes, bellies, faces Without end, middle, or beginning Your body the whole universe, Lord I see you beginningless, endless, Infinite power , with billion Arms, the sun and moon Your eyeballs, the flames of your mouth lighting the universe with splendor you alone fill all space and the three worlds shudder when they see your astounding, terrifying form As moths rush into a flame And are burned in an instant, all Beings plunge down your gullet And instantly are consumed you gulp down all worlds, everywhere swallowing them in your flames and your rays, Lord Vishnu, fill all the universe with dreadful brilliance who are you in this terrifying form? Have mercy, Lord ..grant me even A glimmer of understanding To prop up my staggering mind
KRISHNA SAID:
I am death, shatterer of worlds, annihilating all things with or without you, these warriors in their facing armies will die Therefore stand up; win glory; Conqueror the enemy; rule Already I have struck them down; You are just my instrument Arjuna
ARJUNA SAID:
Why should they bow, eternal Creator, infinite lord? You are both being and non being, And what is beyond them both, The primal God, the Primordial Person , the ultimate place Of the universe, the knower and the known, The presence that fills all things
Again and again I bow you Form all sides, in every direction, Majesty infinite in power You pervade- no you are -all things Having seen what no mortal has seen I am joyful, yet I quiver with dread, Show me your other form -please- The one that I know; have mercy
KRISHNA SAID
Graciously for your sake Arjuna I showed you my highest form- Dazzling, infinite, primal Which no one has seen but you The vision that you have been granted Is difficult to attain Even the Gods are always Longing or behold me like this Not by study or rites Or alms or ascetic practice Can I be seen in this cosmic Form , as you have just seen me
Krishna blesses Arjuna with divine sight , which could not been seen with naked eye to feel the awesome display of his multidimensional and multicolored universal form. As observed by Arjuna, Krishna's transcendental form has no beginning ,no middle and no ending.
Bhagvad Gita tackles the most advanced theories of physics describing the gravity, time travel and multiple dimensions. Bhagvad Gita (Song of God) irrespective of its religious affiliation, shines in front of the most intellectuals in the world , and must be read book, for enthusiasts of string theory and unification theory. The line between a sacred philosophy " Bhagvad Gita" and the most advanced theory of Physics " String theory" is getting blurred and both try to make us understand the true intent and purpose of our lives in this complex universe.
Thursday, May 15, 2008
Gayatri Mantra - Big Bang Theory
Gayatri Mantra is held next to AUM in most hindu scriptures. It is one mantra that is common to many sects of Hinduism. AUM indicates the Universe, its composition in terms of particles and states of matter. Gayatri Mantra indicates how AUM the Universe or cosmos expanded or came into being. More precisely, it points to the Big Bang theory for the formation of Universe or AUM.
Aum
Bhuh Bhuvah Sva
Tat Savitur Varenyam
Bhargo Devasya Dheemahi
Dhiyo Yo nah Prachodayat
~ The Rig Veda (10:16:3)
The First Word Om (Aum)
It is also called Pranav because its sound emanates from the Prana (vital vibration).
Hence, Aum indicates the Universe
The "Vyahrities": Bhuh, Bhuvah & Svah
Bhu indicates 'Springing', 'comes into being', 'arises of', 'place of being' etc. From the perspective of 'place', bhu indicates also earth. In fact all the above three words of the Gayatri are called Vyahrities. Vyahriti is that which gives knowledge of entire cosmos or "ahriti". Bhu, Bhuva, Svah can also be mapped to Past, Present, Future (in time domain), Tamas, Rajas, Satwah (in physical properties domain).
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Bhuvas as a vyahriti, indicates atmosphere or the space between Earth and Heaven. The direct meaning of Bhuva is 'of Agni' or 'of fire'.
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Sva as a vyahriti, indicates heaven or space above atmosphere. Sva also indicates on ones own.
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If Big Bang theory is true, then universe came into being from that massive explosion (heat). Is this what the Gayatri indicates..? And the seed of that fire is the Savitr.
The Remaining Words
Tat simply means "that" or "thus" or "in this way"
Savitr means 'Stimulator' or 'arouser'. It is also used to indicate light, wisdom. Many scholars interpret it as Sun itself. Many scholars associate it with a spiritual Sun and not the physical sun.
Traditionally savitr indicates sun before rise or light in physical or spiritual domain. The sun just before sun rise is indicated as Savitr. Actual Sun is referred to as Surya.
Assuming Savitr indicates Stimulator or Arouser (one that arouses), Savitr indicates the seed of fire, which matches with the usage of 'Savitr' to denote the Sun just before the Sun rise.
" tat savitr" indicates, "that arouser or that seed of fire"
Varenium means “adore" or 'adore-able' or excellent
" tat savitr varenyam" indicates, "arouser or seed of fire that is adorable or excellent"
Bhargo means "illumination" or 'radiance'
Devasya means "Divine" or "Divine like or pure"
Dheemahi means "we contemplate, desire or wish upon or meditate'
"Bhargo devasya dheemahi" indicates, "we meditate/desire on that divine-like or pure radiance"
Dhiyo means "true knowledge or understanding of reality"
Yo means "who"
Nah means "ours"
Prachodayat means "excites/inspires/commands/proclaims (life)/"
"Dhiyo yonah prachodayat" indicates, "True knowledge of the one who commands/excites/inspires"
"
" tat savitr varenyam" indicates, "that seed of fire that is adorable or excellent"
"Bhargo devasya dheemahi" indicates, "we meditate on that pure radiance"
"Dhiyo yonah prachodayat" indicates, "True knowledge of the one who excites/inspires(gives life)"
"Universe/cosmos arises from the seed of fire on its own, the seed of fire that is excellent, we desire/wish/meditate on that divine radiance, true knowledge of who gives life (excites/inspires/commands)"
AUM, the pranava, life vibration, that has the entire universe in itself, gives rise from savitr the seed of fire, is what the Gayatri Mantra describes. The person reciting Gayatri Mantra asks or meditates on the divine pure radiance and true knowledge of life source.
Since Gayatri Mantra describes the way we evolved and our evolution, or the secret of our evolution, it is administered in utmost secrecy and sacredness.
One reason our ancestors asked us to memorize things and repeat them is that; many times realization of a particular phrase or sentence doesn't come to us, just on reading them. Over a period, after undergoing multiple experiences in life, suddenly the meaning of the phrase becomes clear. Sometimes, we will understand it very lately. Hence if a person who understands sanskrit, memorizes Gayatri Mantra and keeps on reciting it, over a period he would find layers of meanings in it and there will be multiple realization. This way it would benefit him.
**I want to thank my dearest friends and philosophers ‘TheBigThinking’ and ‘Rudra’ in making me understand and clearing my doubts on this matter…..
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There’s so much more to be done…. So much more to examine….. So much more to understand….
SO MUCH MORE TO COMPREHEND IN SUCH A SHORT TIME…..
Tuesday, May 13, 2008
Wednesday, May 07, 2008
The Secrets of Piloting a Vimana
I have compiled some very interesting information on VIMANAS….
All intelligent thoughts have already been thought; what is necessary is only to try to think of them again. Im so proud to be part of this great civilization…..
"The pilot is one who knows the secrets"
Bodhaanada: Scientists say that there are 32 secrets of the working of the Vimaana. A pilot should acquaint himself thoroughly with them before he can be deemed competent to handle the aeroplane. He must know the structure of the aeroplane, know the means of its take off and ascent to the sky, know how to drive it and how to halt it when necessary, how to maneuver it and make it perform spectacular feats in the sky without crashing. Those secrets are given in "Rahashya Lahari" and other works by Lalla and other masters, are are described thus:
"The pilot should have had training in maantrica and taantrica, kritaka and antaraalaka, goodha or hidden, drishya and adrishya or seen and unseen, paroksha and aparoksha, contraction and expansion, changing shape, look frightening, look pleasing, become luminous or enveloped in darkness, deluge or pralaya, vimukha, taara, stun by thunderstorm din, jump, move zig-zag like serpent, chaapala, face all sides, hear distant sounds, take pictures, know enemy maneuver, know direction of enemy approach, stabdhaka or paralyse, and karshana or exercise magnetic pull.
According to the Vymankia Shastra, purportedly written by Maharishi Bharadwaja in the 4th Century BC, these are some of the secrets to piloting a vimana. They include:
Maantrika: The invoking of mantras which will permit one to achieve certain spiritual and hypnotic powers so that he can construct airplanes which cannot be destroyed.
Taantrika: by acquiring some of the Tantric powers, one may endow his aircraft with those same powers.
Goodha: This secret permits the pilot to make his vimana invisible to his enemies. Adrishya accomplishes the same purpose by attracting 'the force of the ethereal flow in the sky.
Paroksha: This helpful hint enables the pilot to paralyze other vimanas and put them out of action.
Aparoksha: One may employ this ability to project a beam of light in front of his craft to light his way.
Viroopa Karana: With this skill mastered, the pilot can produce 'the thirty-second kind of smoke', charge it with 'the light of the heat waves in the sky' and transform his craft into a 'very fierce and terrifying shape' guaranteed to cause 'utter fright to onlookers'.
Roopaanara can cause the vimana to assume such shapes as those of the lion, tiger, rhinoceros, and serpent - even a mountain- to confuse observers.
Suroopa: If one can attract the thirteen kinds of 'Karaka force', one can make the vimana appear to be 'a heavenly damsel bedecked with flowers and jewels'.
Pralaya: This deadly secret pushed electrical force through the 'five-limbed aerial tube' so that the pilot may 'destroy everything as in a cataclysm'.
Vimukna sends a poison powder through the air to produce 'wholesale insensibility and coma'.
Taara: This ability, once mastered, provides the pilot with another means of avoiding contact with an enemy or hiding his purpose from observers: 'By mixing with ethereal force 10 parts of air force, 7 parts of water force, and 16 parts of solar glow, and projecting it by means of the star-faced mirror through the frontal tube of the vimana, the appearance of a star-spangled sky is created.'
Saarpa-Gamana: This secret enables the pilot to attract the forces of air, join them with solar ryas, and pass the mixture through the center of the craft so the vimana will 'have a zig-zagging motion like a serpent'.
Roopaakarshana permits the pilot to see inside an enemy's airplane, while Kriyaagrahana allows one to spy on 'all the activities going on down below on the ground'.
Jalada roopa instructs the pilot in the correct proportions of certain chemicals which will envelop the vimana and give it the appearance of a cloud."
Aavartaas or aerial whirlpools are innumerable in the above regions. Of them the whirlpools in the routes of the vimanas are five.
In the Rekhapathha there occurs the whirlpool of winds. In Kakshya-pathha there occurs Kiranavarta or whirlpool from solar rays. In Shaktipathha there occurs Shytyaavarta or whirlpool of cold currents. And in Kendrapathha there occurs gharshanavartaor whirlpool by collision. Such whirlpools are destructive of vimanas, and have to be guarded against.
"The pilot should now these five sources of danger, and learn to steer clear of them to safety."
WHAT CAN I SAY????